The Kickstarter for the Dickshark re-edits was the most successful crowdfunder in the history of Bill Zebub. In fact, so much money was raised that Bill Zebub considered remaking the movie. However, the surplus funds are going toward new gear that will improve the new movies that will be made so that Kickstarters for those projects can go toward specific expenses per film.

There will be three new cuts. One will be for streaming which has to remove some of the graphic nudity (because American adults like to be treated like children, and also because they only see nudity as dirty, or they fear nudity because of religious superstition). Unfortunately, these weak-minded and socially-retarded people complain very loudly, which causes digital merchants to refuse certain content unless it’s from a major studio or from a director who is revered as an artist. But this censorship has been interpreted as a challenge for Bill Zebub to make a retard-friendly cut.

There will also be a streamlined cut that will remove much of the material that isn’t tied to the main story. Bill Zebub wrote the script outside of commercial rules. Instead of being plot-oriented, the dialogue was character-oriented. If a story is about Johnny trying to raise tomatoes, dialogue in commercial movies must relate to that struggle. Bill Zebub’s version of such a story would have a character talk about why a fruit is called an “orange” and how it was a lazy and uninspired nomenclature. The rant has nothing to do with the struggle of raising tomatoes or the gopher that takes big bites of the fruit, but the dialogue shows that the character is either neurotic or deep thinker, neither mindset affecting the cultivation of tomatoes. The waxing-poetic dialogue of the original Dickshark will be mostly removed so that the story becomes more of the focus, even though Bill Zebub wanted each character in the script to have a different view of life, and the movie was ultimately about life.

The prize for the ultrafan is the longest possible cut. It might be close to six hours.

If possible, the three cuts will have different performances, which is possible because there were multiple takes per shot, as with most of Bill Zebub’s movies.