Bill Zebub will finish his movie “Don’t Get in that Car!” by the end of September. It’s a raw and experimental depiction of a serial killer who begins his spree. Unlike other such movies, this one does not make the villain look like an alpha male, or cool.
September might be the month when filming wraps for “The King of Metal has Died” which is a slice-of-life kind of movie with no grandiose plot. It has the potential of reaching a 4-hour duration. There might be cameos of celebrities of the metal music world, or at the very least, there may be excerpts from interviews Bill Zebub conducted for THE GRIMOIRE OF EXALTED DEEDS. Bill Zebub interviewed King Diamond many times. One of the first mysteries presented was the backward-message on the “Melissa” song. Bill Zebub also correctly guessed that King Diamond played guitar on albums. (When King Diamond talked about his up-and-down strumming, compared to the down-strumming of the guitar players in the two bands, Bill Zebub asked if King performed any of the up-and-down strumming that was on songs like “Satan’s Fall.”) This tidbit was revealed when Bill Zebub was hired to write the liner notes for the “Abigail” remaster. But this tale is not one that exalts Bill Zebub. Rather; he plays a character in his end days, far below his former status.
“Santa Claus: A Horror Story” has been re-edited as “The Gods are Rapists” which shall be released on Bluray in the spring. Plato wanted to ban the Homeric myths because they depicted the gods as immoral. This is the essence of the movie.
Peter Steele from Type O Negative had a cameo in “Dirtbags” which was Bill Zebub’s homage to John Waters. The bluray will be released in spring, containing two long interviews with Peter Steel, uncut. One of the interviews was for Bill Zebub’s “Death Metal: A Documentary.” The other interview was intended for one of Bill Zebub’s interviews-anthologies.
Pete Steele was to play both Victor Frankenstein as well as the monster, but tragedy struck. It turned out for the best, because Bill Zebub decided that the movie would best be presented as an art house piece rather than as a narrative. It is too psychological. All mainstream attempts to depict the story bastardized it to the point of having almost no similarity to what Mary Shelley wrote. Bill Zebub shall present his own interpretation of the story, but the poetic dialogue will remain intact.
“Stereotypes Don’t Just Disappear into Thin Air” shall be on Bluray in a full-cut version, along with “Vixen of Virtue.” The bluray will be available in late spring.
The deceased vocalist of GWAR, Dave Brockie (Oderus Urungus) was in “Jesus, the Total Douchebag.” A re-edit is planned for Bluray, which shall contain a ton of behind-the-scenes with the brilliant singer. There is no date set yet. It shall be preceded with a Kickstarter to compansate for the month or more of editing this project will require.
Bill Zebub’s two memoirs get second-editions soon, which will contain added chapters. Bill Zebub is almost finished with his tragi-fantasy, titled “Wail of Pity.” This will probably be under the pen name “L. Sarkozy” because the pseudonym “Bill Zebub” is only meaningful to people who are fans. The rest of the world considers the name stupid. If you didn’t know who Bill Zebub was, would you purchase a book by an author of that name?
One of the most bizarre parodies Bill Zebub has ever written, “Stabbed in the Ass” might wrap this year. Bill Zebub has to decide whether to cast trained actresses for the remaining roles, or to hire models. So far, Terra N Cognita (from INDIE DIRECTOR and SCIENCELESS FICTION), Ziva Fey, Nadine Stevens (from SCIENCELESS FICTION), Erica Boseski (from EXPLOITATION and DICKNADO), and Alina Prazska (from JESUS WAS AN ASSHOLE) are among the legendary models who had fun filming their parts. This movie is meant more for the horror convention crowd, but it might break into wider circles. After all, Bill Zebub has managed to get seemingly vulgar titles into big chains like Walmart.
An atmospheric horror movie is also planned, titled “Scare the Crow.” There is a scene which is by itself more costly than an entire movie (from Bill Zebub’s catalog). It is currently paused while alternate techniques are being researched.
